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Wonder this: before St Aidan arrived and The Normans later, what drew the ancients to Ferns in the first place? Was it chance Tom Breen’s plough unearthed the first relic at Clone which led us to poke holes in the turf and speculate? Who lay the first seed? What made the first tribe put down roots, leaving charcoal and ceramic in their wake?
The first farmers followed distinct seasons. Today it snows in March, scalds in April, pours in July. So how will future farmers cope? During the drought of 2018 archaeologist Barry Lacey flew a drone over Tom Breen’s field and discovered an ecclesiastical enclosure surrounding Clone church. This led to the community dig of 2019. What will future excavations unearth?
“For centuries monks and artists have sought out solitude in order to reflect and create. Responding to the Monastic sites of Ferns and through the activity of excavating and exploring the history and heritage of farming in Ferns, I wish to illuminate the beauty of this place and its people.
During this residency I will be making a video documentary on the heritage of farming in Ferns, facilitate a 12 week visual arts, storytelling and gardening project with St Edan’s National School and produce a new body of work in drawing, print, painting, ceramic and writing. From silence and contemplation comes expression. I savour the opportunity to kneel in a field and delve through the surface, experience sifting the soil, witness revelations the trowel unearths and how this may percolate into my work, through observation and recording, and through encounters with people, places, objects and stories. I look forward to sharing what I have learned.
I have begun walking and documenting the hedgerow of a 24 acre field in Ferns, gathering materials and ingredients as I go, and making inks with these in order to respond to this farmer’s field and his fascinating family history.” – David Begley
Date: July 2020 – Aug 2022
Funded By: Wexford Percent for Art
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