Categories
Archive Arts

Artists Commissions

Arts Project

Artists Commissions

Ancient Connections has commissioned four new artists’ commissions, exploring some interlinked themes that are at the heart of the project including: pilgrimage, connecting with the Celtic diaspora of Ireland and Wales and our relationships to sacred places such as holy wells, chapels and ancient sites.

The artists will produce new artworks over the next two years, inspired by their own research as well as the findings uncovered by the Ancient Connections teams of story gatherers, community researchers and archaeologists. Each artist is expected to create work that can be shared online, in order to engage with both local audiences and with people much further afield such as Australia and North America, where there are significant communities of people with Irish and Welsh ancestry. The artists will also present their work in a final public showing in both Wexford and Pembrokeshire in 2022.

The four artists are Seán Vicary and Linda Norris, who are both visual artists based in West Wales, and artist/archaeologist John Sunderland and writer Sylvia Cullen, based in Ireland’s south-east.

Linda Norris

‘Williams Leatham Plate’ from Cân yr Oer Wynt series, ceramic decal on vintage china

Linda Norris proposes to use ‘sherds’ or found pottery fragments as the starting point for her project, encouraging people to send sherds to her and locate them on an online map. She says:

“Far from the glamour of precious metal hordes or celebrated monuments, sherds speak of anonymous domestic stories and link us with the people who lived in our homes in the past. I propose to initiate a ‘citizen archaeology’ project in Pembrokeshire and Wexford, and extending into the Celtic Diaspora. I will be researching people who emigrated from these regions to the Diaspora in the 19th century and trying to trace their descendants.”

Seán Vicary

'Field Notes RAF St Davids'

Multi-media artist Seán Vicary recently discovered that his great-grandmother was born in 1874, just 3.5 miles from Ferns in Camolin, and he seeks to:

“Understand the forces that shaped me living here across the water from my great grandmother’s home. By excavating my own past, I’ll undertake a process that mirrors the archaeological and historical research underway in both communities”.

He will be discovering ‘hidden narratives’ in the landscape and creatively working them into an engaging personal travelogue that moves back and forth between Pembrokeshire and Wexford.

“Voice, text, music, film and animation will combine to evoke these places in an exciting, contemporary way; building a deeper sense of identity through sharing experiences of reconnection”.

John Sunderland

'The Shooting Hut' (Site 1, Visit 9) from the project 'Touching Darkness' (2019)

Trained archaeologist and visual artist John Sunderland will be undertaking a pilgrimage from Whitesands to Ferns and excavating found objects along the route for the creation of a reliquary alongside pinhole photographic work. Rather than approaching this like an analytical contemporary archaeologist, he hopes to examine his discoveries with a mediaeval mindset, paying attention to “the supernatural or the sacred, to questions of good and evil, signs or portents”.

Sylvia Cullen

Cover of Sylvia Cullen’s play The Thaw, commissioned by the Arts Council of Ireland, produced by the Courthouse Arts Centre in Tinahely, published by New Island Books, inspired by the people of North Wexford, South Wicklow and East Carlow.

Writer Sylvia Cullen proposes to create a bespoke new series of short stories for podcasts or livestreaming, drawing on “dramatic tales of piracy and bootlegging along the Welsh and Irish coastlines” and haunting tales of sacred places or a longing for home. She will also run creative writing workshops in both communities.

Watching these projects evolve separately and then ultimately weave together in a final presentation will be a journey of discovery for both the project team and our audiences.

Date: August 2020 – December 2022

Funded by: Ancient Connections

Categories
Archive Stories

Saint Aidan in Wales

Folklore

Saint Aidan in Wales

Aidan’s power and influence amongst the Britons of Wales appears to have been considerable. In one story, Aidan was encouraged by David and others to use his miraculous powers to cure the son of the King of the Britons, who was blind, deaf and lame. The boy was sent to Aidan, who prayed earnestly for his recovery and in due course the boy was miraculously cured. Following this miracle, we are told that Aidan’s name became known throughout the kingdom. 

Stories like these illustrate that holy men such as Aidan were relied upon by the most powerful family in the kingdom. The ecclesiastics who wrote these stories, who would have been the successors of Aidan, undoubtedly wanted to impress this point on their own rulers.

St. Mogue's (St. Aidan's) holy well in Ferns, Co. Wexford

Another story from Aidan’s period in Wales shows how events of the eleventh and twelfth centuries had an impact upon how Aidan’s story was communicated. It tells how the native Britons of Wales were confronted by the prospect of an invasion by a large Saxon army. Aidan was sent by David to the battlefield and prayed for the Britons, who were outnumbered by their Saxon foes. Following Aidan’s intercession, the Saxons turned and fled and were pursued and slaughtered by the Britons over the following seven days. 

“Not one man of the Britons fell by the hands of the Saxons all that time through the favour of God and the miracles of Maedoc. And no Saxon invaded Britain while Maedoc was there after the manifestation of these miracles”. It is possible that this story was composed at a time when Wales was under threat of invasion by the Normans and can be interpreted as an attempt by the Welsh to warn off potential invaders.

Other Stories

Many other stories are told of Aidan’s time in Wales. He healed a man who had a facial deformity, “whose face was all as flat as a board, without eyes or nose”. Once when carrying ale back to the monastery, the container was damaged and the ale was spilt. But Aidan made the sign of the cross, repaired the damage and carried the ale back to his fellow monks.

Source:
“Life of Máedóc of Ferns” in C. Plummer (ed). Bethada Náem nÉrenn: Lives of the Irish Saints, Edited from the Original MSS. with Introduction, Translations, Notes, Glossary and Indexes, Vol. 2, The Clarendon Press, Oxford, 1922.
Categories
Archive Featured Stories

Mermaids Ahoy!

Folklore

Mermaids Ahoy!

Folklore is tantalising. Around the coast of Wales and indeed the British Isles, stories, themes and fantastical creatures appear time and time again. It conjures up a sense of a past filled with goblins and witches, tylwyth teg, sirens and selkies. Of course some of these appear in the stories of other lands too, albeit with a slightly different cultural slant. I’m a storyteller, so I’m not going to venture into the debate about whether or not these creatures are or were ever ‘real’. For me, they are alive in our storied imagination, in our landscape and in the shallows and depths off our coast.

A Great Story to Tell

The north Pembrokeshire coast between St David’s and Fishguard is a haven for mermaids! Every other cove it seems has a mermaid sighting or story connected with it. In fact, the sea captain Daniel Huws, reported seeing a mermaid town beneath the waters near Trefin when he sheltered there in 1858. A little closer to St David’s is Porth y Rhaw, where earlier in 1780 quarry men from Penbiri reported meeting a Mermaid. Here is their fishy tale…..

On fine summer days it was their custom to walk down to the sea to eat their lunch. This day was particularly glorious, with hardly a cloud in the sky or a breeze across the blue surface of the sea and only small waves lapping the shore. As they chatted and settled to their lunch, one of the quarrymen noticed a gwenhadwy- a mermaid sitting upon a rock in the shadow of the cliffs. 

According to their account, she was quite preoccupied with combing her long, golden tresses. The men noted that nothing much distinguished her upper parts to other ‘lasses of Wales’, but that her bottom half was clearly that of a fish. A couple of the braver quarrymen ventured closer – close enough to exchange a few words. They tried in vain to engage her in conversation, and while it was clear that she understood Welsh, all she would say to them was “medi yn Sir Benfro a chwynnu yn Sir Gar” which means “reaping in Pembrokeshire and weeding in Carmarthenshire”. Then she slipped off her rock and disappeared into the waves of Cardigan Bay, leaving the quarrymen eternally perplexed as to what she meant… but with a great story to tell!

Watch Out for Mermaids!

Porth y Rhaw can be visited via the Wales Coastal Path. There’s also a circular walk you can do using footpaths from the hamlet of Yspytty, skirting the old and now disused Peaberry Quarry site – which would have been the workplace of our quarrymen – to join the Pembrokeshire Coast Path. By following this along the coast heading north east, you can follow in the story’s footsteps and enjoy a spot of lunch and mermaid spotting in Porth y Rhaw! 

After lunch, continue along the path towards Ynnys Gwair and Castell Coch promontory Fort. This monument comprises the remains of a defended enclosure, which probably dates to the Iron Age period (c. 800 BC – AD 43). Its location on a narrow coastal promontory above the sea, creates part of the defensive circuit. The construction of two lines of ramparts placed across the neck of the promontory on the south divide it from the mainland. The northern end of this slopes steeply down to the sea. The original entrance lay at the western end of the defences where the inner bank had a slight in-turn; this has since been lost to coastal erosion.

After a look at the fort, walk along the coastal path for about a quarter of a kilometre before turning inland along a permissible path towards Tremynydd Fawr farm where you’ll join a public footpath towards the hamlet of Waun Beddau and the lane which will lead you back to Yspytty where you began. It’s about a 6.5 KM walk in total.

Enjoy…and let us know if you meet any mermaids!

Map of suggested walk courtesy of Ordinance Survey
Categories
Archive Arts

Sylvia Cullen – Smugglers and Summer Snowflakes

Art Commission

Sylvia Cullen

Smugglers & Summer Snowflakes will be a bespoke new collection of short stories, responding to the Ancient Connections themes of journeying, sacred places, Celtic diaspora and longing for home. Inspired by the Story Searches from 2019, and using my own tailored process of Creative Exchanges with local communities, I will create this new collection, setting two stories in Wexford and two in Pembrokeshire.

A Summer Snowflakis a beautiful, rare, poisonous flower native to Wexford; it symbolises the elements every great short story should contain. Smugglers speaks for itself suggesting where I will glean inspiration for this new collection from – drawing on dramatic tales of piracy and bootlegging along the Welsh and Irish coastlines.

The stories will be distributed digitally and shared online as a podcast series for the global Celtic diaspora, as well as being published in book form. In addition, they will be broadcast on local radio in Wales and Wexford.

A Shared Past

“I am a rural-based writer, living in north county Wexford. For Ancient Connections, I will make new work that draws inspiration from our shared past on both sides of the Irish Sea, in order to illuminate our present. This commission is a superb opportunity to explore the interconnectedness of these two regions, creating haunting stories, which will linger on in the minds of all who listen to or read them, no matter where in the world they live.”

Creative Exchanges

“As part of the research process, I will facilitate several Creative Exchanges with local community groups in both Wales and Wexford. I see these interactions as a two-way exchange of oral history and local research. I will facilitate a creative writing workshop for a number of groups and in exchange, participants will offer me their perspectives and opinions on the four Ancient Connections themes.” – Sylvia Cullen

Cover of Sylvia Cullen’s play The Thaw, commissioned by the Arts Council of Ireland, produced by the Courthouse Arts Centre in Tinahely, published by New Island Books, inspired by the people of North Wexford, South Wicklow and East Carlow.

Date: September 2020 – December 2022

Funded by: Ancient Connections

Project Outputs: 
New short stories
Podcasts and radio broadcasts
Final exhibition book launch